GIMP/C2/Adjusting-Colours-with-Curves-Tool/English-timed - Revision history

Sandhya.np14 at 12:36, 21 November 2019

2019-11-21T12:36:51Z

Sandhya.np14 at 03:47, 9 May 2015

2015-05-09T03:47:12Z

Sandhya.np14 at 02:39, 9 May 2015

2015-05-09T02:39:47Z

Sandhya.np14 at 18:07, 8 May 2015

2015-05-08T18:07:21Z

Sandhya.np14 at 13:33, 8 May 2015

2015-05-08T13:33:32Z

Sandhya.np14 at 12:35, 8 May 2015

2015-05-08T12:35:10Z

PoojaMoolya at 09:48, 9 July 2014

2014-07-09T09:48:23Z

Show changes

Priyacst at 11:16, 18 March 2014

2014-03-18T11:16:35Z

Priyacst at 09:06, 18 March 2014

2014-03-18T09:06:02Z

Priyacst at 05:18, 18 March 2014

2014-03-18T05:18:02Z

@@ Line 233: / Line 233: @@
 |-
 | 11:38
-|'''Dodgging and burning''' is a term out of the dark room days, where you can  dodge  a picture by keeping your hand or paper or something else in the light beam of the enlarger between the enlarger and photographic paper and burning is opposite of that.
+|'''Dodging and burning''' is a term out of the dark room days, where you can  dodge  a picture by keeping your hand or paper or something else in the light beam of the enlarger between the enlarger and photographic paper and burning is opposite of that.
 |-

@@ Line 281: / Line 281: @@
 |-
 |13:55
-| Now I make sure that I have the new layer is selected and change the foreground colour to white and background colour to black and I start to paint the wall here.
+| Now I make sure that I have the new layer  selected and change the '''foreground''' colour to white and '''background''' colour to black and I start to paint the wall here.
 |-
 | 14:19
-|And perhaps you can see it that the compression has done its work and the side of the wall is brightens up.
+|And perhaps you can see it that the compression has done its work and the side of the wall is brightened up.
 |-
@@ Line 329: / Line 329: @@
 |-
 | 17:03
-| You can see the technique that I made a layer and made it medium gray & 128% for each channel and change the '''layer mode''' to '''Overlay'''.
+| You can see the technique that I made a '''layer''' and made it medium gray & 128% for each channel and change the '''layer mode''' to '''Overlay'''.
 |-
@@ Line 349: / Line 349: @@
 |-
 | 17:53
-|I hope I haven’t done that and name the '''layer''' as '''dodge and burn'''.
+|I hope I haven’t done that and name the '''layer''' as '''Dodge and Burn'''.
 |-

@@ Line 213: / Line 213: @@
 |-
 |11:01
-| Just double the sky layer and switch to over lay mode.
+| Just double the '''Sky''' layer and switch to '''Overlay''' mode.
 |-
 |11:08
-|This is way too much so I pull down the opacity slider a bit and we have a bit more contrast in the sky.
+|This is way too much. So I pull down the '''Opacity''' slider a bit and we have a bit more contrast in the sky.
 |-
@@ Line 241: / Line 241: @@
 |-
 | 12:15
-|It’s quite tedious procedure to figure out which step to be done at what time and you need a lot of sheets of paper for that and when you want to look at such a process, I recommend you to look a film Well Photographer.
+|It’s quite tedious procedure to figure out which step to be done at what time and you need a lot of sheets of paper for that and when you want to look at such a process, I recommend you to look a film '''Well Photographer'''.
 |-
 | 12:36
-| It’s a film about James and it’s a terrific film even without this a dark chamber seen.
+| It’s a film about James and it’s a terrific film even without this, a dark chamber seen.
 |-
@@ Line 253: / Line 253: @@
 |-
 | 12:49
-|Now let’s see dodgging and burning process.
+|Now let’s see dodging and burning process.
 |-
 | 12:52
-| We have a dodge and burn tool in the tool box here but I would like to work again with layer.
+| We have a '''Dodge and Burn tool''' in the toolbox here but I would like to work again with layer.
 |-
@@ Line 277: / Line 277: @@
 |-
 |13:45
-|This brush size is about right. But I decrease the '''Opacity''' tool, let’s say 30% or so.
+|This brush size is about right. But I decrease the '''Opacity''' to let’s say 30% or so.
 |-

@@ Line 65: / Line 65: @@
 |-
 |03:12
-|To correct some missing structure here I select the brush tool and choose a bigger brush here and start painting the land area with black colour.
+|To correct some missing structure here, I select the '''Brush''' tool and choose a bigger Brush here and start painting the land area with black colour.
 |-
 | 03:30
-|I don’t want to paint the sea layer with black colour so I exchange the foreground and background colour.
+|I don’t want to paint the sea layer with black colour. So, I exchange the '''foreground''' and '''background colour'''.
 |-
@@ Line 77: / Line 77: @@
 |-
 | 03:56
-|This area here, I think it was quiet well but you can correct that later on.
+|This area here, I think it was quite well but you can correct that later on.
 |-
 | 04:04
-|So let’s choose a soft brush and see that we get this edge here fine.
+|So, let’s choose a soft brush and see that we get this edge here fine.
 |-
 | 04:21
-|When I disable, show layer mask we can see the stretch scene here on the border between land and sea.
+|When I disable '''Show Layer Mask''', we can see the stretch scene here on the border between land and sea.
 |-
@@ Line 93: / Line 93: @@
 |-
 | 04:50
-|Now I go back to the full image with shift + ctrl + E.
+|Now I go back to the full image with '''Shift + Ctrl + E'''.
 |-
 | 04:58
-|I select the curves tool and check if I have layer mask selected and I include the sky layer to see the whole image and now I click into the image and play with the curves.
+|I select the '''Curves''' tool and check if I have '''layer mask''' selected and I include the '''Sky''' layer to see the whole image and now I click into the image and play with the curves.
 |-
 | 05:28
-|Now you can see the halo between the sea and land vanishes but the sea is now again bit dull.
+|Now you can see the halo between the sea and the land vanishes but the sea is now again bit dull.
 |-
@@ Line 121: / Line 121: @@
 |-
 |06:41
-|Ok, I can adjust with opacity slider the effect of curves tool and I think I should make it a bit less for a good effect.
+|Ok, I can adjust with the '''Opacity slider''' the effect of '''Curves tool''' and I think I should make it a bit less for a good effect.
 |-
@@ Line 129: / Line 129: @@
 |-
 |07:17
-| And we can decide the right amount easily.
+| and we can decide the right amount easily.
 |-
 |07:22
-|And I think I have done too much with this part so I slide the slider down and I think this is ok.
+|And I think I have done too much with this part. So, I slide the slider down and I think this is ok.
 |-
@@ Line 141: / Line 141: @@
 |-
 | 07:40
-|I deselect the sky layer and check but it’s not because of it.
+|I deselect the '''Sky''' layer and check but it’s not because of it.
 |-
 | 07:46
-| So I deselect the sea layer and its because of sea layer.
+| So, I deselect the '''Sea''' layer and its because of '''Sea''' layer.
 |-
@@ Line 153: / Line 153: @@
 |-
 | 07:55
-| And for doing that I use the gradient tool.
+| And for doing that I use the '''Gradient''' tool.
 |-
 | 07:59
-|I select the layer mask and now select the gradient tool from the tool box and I want to have the land part white and sky part black and  I want to have the border here.
+|I select the '''layer mask''' and now select the '''Gradient''' tool from the tool box and I want to have the land part white and sky part black and I want to have the border here.
 |-
 | 08:21
-| The gradient starts with full white and ends with black.
+| The '''gradient''' starts with full white and ends with black.
 |-
 | 08:29
-| So I zoom into this part,I select the gradient tool and  start around here.
+| So, I zoom into this part. I select the '''Gradient''' tool and  start around here.
 |-
 | 08:38
-|  While making this line I am pressing ctrl key and left mouse button and pulling in order to get a straight line and leave the button here.
+|  While making the line, I am pressing '''Ctrl''' key and left mouse button and pulling in order to get a straight line and leave the button here.
 |-
 | 08:53
-|You see it worked, the brightness on the horizon is gone and you can see that the layer mask of the land is gone too.
+|You see, it worked! The brightness on the horizon is gone and you can see that the layer mask of the land is gone too.
 |-
@@ Line 181: / Line 181: @@
 |-
 | 09:18
-|So this wasn’t the good way to deal with the horizon so I undo this step here.
+|So, this wasn’t the good way to deal with the horizon so I undo this step here.
 |-
 | 09:27
-|Now first I select the rectangle and check if layer mask is selected and draw the rectangle in the sky part.
+|Now, first I select the rectangle and check if '''layer mask''' is selected and draw the Rectangle in the sky part.
 |-
@@ Line 197: / Line 197: @@
 |-
 | 10:00
-|Zoom into the bright part here and select the layer mask.
+|Zoom into the bright part here and select the '''Layer Mask'''.
 |-
 | 10:07
-| I want to have black above and white below, so I start from here, go straight up to the horizon and now you can see  the sea is only white and land and sky are black.
+| I want to have black above and white below. So, I start from here, go straight up to the horizon and now you can see  the sea is only white and land and sky are black.
 |-
 | 10:33
-|Shift + ctrl + A, disables all selection, shift +ctrl + E goes back to the whole image and  a lot better now.
+|'''Shift + ctrl + A''', disables all selection, '''shift +ctrl + E''' goes back to the whole image and  a lot better now.
 |-
 |10:52
-|I want to edit the sky layer in the same way like I did for the land layer.
+|I want to edit the '''Sky''' layer in the same way like I did for the '''Land''' layer.
 |-

@@ Line 21: / Line 21: @@
 |-
 | 00:50
-| As you can see the sea is a bit dull and it’s just gray with not much definition in it and when I switch off the sea layer here and the other layers, you can see there is some definition in this sea.
+| As you can see the sea is a bit dull and it’s just gray with not much definition in it and when I switch off the '''Sea''' layer here and the other layers, you can see there is some definition in the sea.
 |-
 | 01:17
-|And when I look at the layer mask  you can see that I used a layer mask which is mostly gray for the area I wanted to show.
+|And when I look at the layer mask, you can see that I used a '''layer mask''' which is mostly gray for the area I wanted to show.
 |-
 | 01:30
-|So let’s redo this step again.
+|So, let’s redo this step again.
 |-
 | 01:37
-|I have deleted the sea layer and made a copy of the background layer.
+|I have deleted the '''Sea''' layer and made a copy of the '''Background''' layer.
 |-
 | 01:44
-| I name the layer as sea and place that layer below the sky and above the land.
+| I name the layer as '''Sea''' and place that layer below the '''Sky''' and above the '''Land'''.
 |-
 |01:57
-| I could have worked with the layer I had but I wouldn’t have got a good result because I had used the curves tool to get the sea a bit darker
+| I could have worked with the layer I had but I wouldn’t have got a good result because I had used the '''curves''' tool to get the sea a bit darker.
 |-
 |02:10
-| And with that I have destroyed a lot of the colour information which was present in that layer and I’ll get a better result this way here.
+| And with that, I have destroyed a lot of colour information which was present in that layer and I’ll get a better result this way here.
 |-
 |02:24
-|Now I again add a layer mask to the sea layer, I use the gray scale copy of the layer and add it.
+|Now, I again add a '''layer mask''' to the '''Sea''' layer, I use the '''Gray scale copy of the layer''' and add it.
 |-
 |02:35
-|I click on Show layer mask and edit the layer mask.
+|I click on '''Show layer mask''' and edit the layer mask.
 |-
 |02:41
-|I will use the Curves tools and I’ll repeat the same procedure by pulling this down but this time I’ll pull this upper curve up.
+|I will use the '''Curves''' tool and I’ll repeat the same procedure by pulling this down but this time I’ll pull this upper curve up.
 |-

@@ Line 5: / Line 5: @@
 |-
 | 00:24
-|Welcome to Meet the GIMP.
+|Welcome to '''Meet the GIMP'''.
 |-
 | 00:26
-| Today’s tutorial is not about raw converting but about new coding while doing a real show and to correct some errors from the last tutorial.
+| Today’s tutorial is not about '''raw''' converting but about new coding while doing a real show and to correct some errors from the last tutorial.
 |-
@@ Line 229: / Line 229: @@
 |-
 | 11:33
-|This is the case for dodging and burning.
+|This is the case for '''dodging and burning'''.
 |-
 | 11:38
-|Dodgging and burning is a term out of the dark room days, where you can  dodge  a picture by keeping your hand or paper or something else in the light beam of the enlarger between the enlarger and photographic paper and burning is opposite of that.
+|'''Dodgging and burning''' is a term out of the dark room days, where you can  dodge  a picture by keeping your hand or paper or something else in the light beam of the enlarger between the enlarger and photographic paper and burning is opposite of that.
 |-
@@ Line 269: / Line 269: @@
 |-
 |13:21
-|This gray colour is 50% gray and I switch the layer mode to overlay and you can see nothing has happened.
+|This gray colour is 50% gray and I switch the '''layer mode''' to '''Overlay''' and you can see nothing has happened.
 |-
 |13:35
-|Now I switch the colours to black and white and select a brush.
+|Now I switch the colours to black and white and select a '''brush'''.
 |-
 |13:45
-|This brush size is about right.But I decrease the opacity tool let’s say 30% or so.
+|This brush size is about right. But I decrease the '''Opacity''' tool, let’s say 30% or so.
 |-
@@ Line 289: / Line 289: @@
 |-
 | 14:36
-|This process is called dodgging because I am keeping the light on the photographic paper and so the wall gets brighter.
+|This process is called '''dodging''' because I am keeping the light on the photographic paper and so the wall gets brighter.
 |-
 | 14:49
-| When we look at the layer here you can see that I have a whiter area here and there are some other parts of the image which could be a bit lighter.
+| When we look at the '''layer''' here you can see that I have a whiter area here and there are some other parts of the image which could be a bit lighter.
 |-
@@ Line 309: / Line 309: @@
 |-
 | 15:44
-| I should pull the opacity slider a bit down and this is ok.
+| I should pull the '''Opacity''' slider a bit down and this is OK.
 |-
 | 15:54
-|I think the horizon is very bright so I adjust the circle size of the brush to paint that part and use black colour to darken that part of the image.
+|I think the horizon is very bright. So I adjust the circle size of the brush to paint that part and use black colour to darken that part of the image.
 |-
@@ Line 325: / Line 325: @@
 |-
 | 17:00
-| So undo the step.
+| So, '''undo''' the step.
 |-
 | 17:03
-| You can see the technique that I made a layer and made it medium gray & 128% for each channel and change the layer mode to Overlay.
+| You can see the technique that I made a layer and made it medium gray & 128% for each channel and change the '''layer mode''' to '''Overlay'''.
 |-
 | 17:17
-|  Medium gray and Overlay mode does nothing and you can paint into the image with white or black.
+|  Medium gray and '''Overlay''' mode do nothing and you can paint into the image with white or black.
 |-
 | 17:26
-| While painting with white you make the image a bit brighter with black you make it darker.
+| While painting with white, you make the image a bit brighter; with black you make it darker.
 |-
@@ Line 345: / Line 345: @@
 |-
 | 17:42
-| I wouldn’t work again on it except some of you finds a mistake in the edits I have made today.
+| I wouldn’t work again on it except some of you find a mistake in the edits I have made today.
 |-
 | 17:53
-|I hope I haven’t done that and name the layer as dodge and burn.
+|I hope I haven’t done that and name the '''layer''' as '''dodge and burn'''.
 |-
@@ Line 369: / Line 369: @@
 |-
 | 18:46
-|This is Hemant Waidande dubbing for the Spoken Tutorial project.
+|This is Hemant Waidande, dubbing for the Spoken Tutorial project.

@@ Line 271: / Line 271: @@
 |-
 |13.09
-|I go to colour channel and I keep 150% for gray and 128% in other channel.
+|I go to colour channel and I keep 50% for gray and 128% in other channel.
 |-

@@ Line 92: / Line 92: @@
 |-
 | 04.32
-| Let’s zoom into the image and you can see there is a hallow where the layer mask and the layer don’t work together and I’ll work on it later.
+| Let’s zoom into the image and you can see there is a halo where the layer mask and the layer don’t work together and I’ll work on it later.
 |-
@@ Line 104: / Line 104: @@
 |-
 | 05.28
-|Now you can see the hallow between the sea and land vanishes but the sea is now again bit dull.
+|Now you can see the halo between the sea and land vanishes but the sea is now again bit dull.
 |-
@@ Line 210: / Line 210: @@
 |-
 | 10.33
-|Shift + ctrl + E, disables all selection, shift +ctrl + E goes back to the whole image and  a lot better now.
+|Shift + ctrl + A, disables all selection, shift +ctrl + E goes back to the whole image and  a lot better now.
@@ Line 223: / Line 223: @@
 |-
 |11.08
-|This is way to much so I pull down the opacity slider a bit and we have a bit more contrast in the sky.
+|This is way too much so I pull down the opacity slider a bit and we have a bit more contrast in the sky.
 |-

@@ Line 88: / Line 88: @@
 |-
 | 04.21
-|When I disable, show layer mask we can see the stretch seem here on the border between land and sea.
+|When I disable, show layer mask we can see the stretch scene here on the border between land and sea.
 |-